The Corny Collins Show, it turns out, was lifted almost literally from the extremely popular Buddy Deane Show, Baltimore's answer to Dick Clark's American Bandstand. Black teens were only allowed to dance on the show one day per month. The Buddy Deane Show was over. The Stupidity, where you act mentally ill. The Bugs easy, you just catch a disease and throw it to someone else, Waters said. Both black and white activists picketed the . Originally aired 11/5/1986. The show was a teen dance and music show and ran from 1957 to until 1964 on WJZ-TV until the show was canceled. The school tried to throw me out before. Was it really twenty years ago? And the whole concept of the Committee changed. So I gave it the happy ending that we had, Waters said. I guess Helen Crist was the first drapette: the DA, the ballet shoes, oogies [tulle scarves], eye shadoweyeliner was big thenand pink lipstick., Helen Crist. From 1968 into 1973, the public television variety show SOUL! The Buddy Deane Show was a teen dance television show, similar to Philadelphia's American Bandstand, that was created by Zvi Shoubin and aired on WJZ-TV in Baltimore, Maryland from 1957 until 1964.The show was taken off the air because home station WJZ-TV was unable to integrate black and white dancers. 2003. This program is a tribute to long-time Maryland radio announcer Buddy Deane, who passed away in August, 2003. Waters grew up with "The Buddy Deane Show" in Baltimore, and modeled his fictitious "Corny Collins Show" after it. I used to get death threats on the show. The Nicest Kids in Town! Voters approve of . While other radio hosts thought rock 'n' roll music was just a passing trend, refusing to play it in favor of pop songs, Deane played rock 'n' roll music on a regular basis. By representing this realityin bubble-gum, technicolor clarityHairspray does something that pure documentation, at times, cant: It makes a difficult part of a nations history accessible (and entertaining) to millions of viewers. Like many couples, Joe and Joan met through the show and became an item for their fans. The whole day on the show was devoted to me.. Buddy: Deane in the 50s when she worked for a record wholesaler and he was the top-rated disc jockey on WITHthe only DJ in town who played rock n roll for the kids. Penny nervously stumbles over her answers, and another girl, Nadine Carver, is cut for being Black (the show has a "Negro Day" on the last Thursday of every month, she is told). Associated Press text, photo, graphic, audio and/or video material shall not be published, broadcast, rewritten for broadcast or publication or redistributed directly or indirectly in any medium. I didnt mean to, because I never would have messed up the makeup.. Ironically, The Buddy Deane Show introduced black music and artists into the lives of white Baltimore teenagers, many of whom learned to dance from black friends and listened to black radio. Sign up for our Email Newsletters here. On Jan. 4, 1964, "The Buddy Deane Show" aired its last episode. [citation needed] In several instances, the show went on location to the Milford Mill swim club on the westside of suburban Baltimore County. Waters based the main storyline and "The Corny Collins Show" on the real-life "The Buddy Deane Show" and racial events surrounding it. When Mary Lous husband gave me the long and complicated directions to their home on the phone, he ended with And there you will find, yes, Mary Lou Raines. He later confided that when he first started dating her, he had no idea of her early career. But it went something like this: Buddy Deane was an exclusively white show. The show was a teen dance and music show and ran from 1957 to until 1964 on WJZ-TV until the show was canceled. American Bandstand, one of the most popular television shows ever, broadcast from Philadelphia in the late fifties, a time when that city had become a battleground for civil rights. The early look of the Committee was typically 50s. Although the show has been off the air for more than twenty years, a nearly fanatical cult of fans has managed to keep the memory alive. On the last day of the show, January 4, 1964, all the most popular Committee members through the years came back for one last appearance. [1], As with many other local TV shows, little footage of the show is known to have survived. sively white show. His running joke with listeners was that he ran the town from 6 a.m. to 9 a.m. until the city's real mayor took over. Acts that appeared on the show first were reportedly barred from appearing on Dick Clark's American Bandstand, but if they had been on Bandstand first they could still be on The Buddy Deane Show. Pancocojams showcases the music, dances, language practices, & customs of African Americans and of other people of Black descent throughout the world. While he wasnt on the committee, Waters occasionally danced on the show as a guest. At 21, I married a professional football player, Helen remembers, and he made me burn all the fan mail. This assessment proved true when on Aug. 12, 1963 a group of black and white kids stormed the stage of "The Buddy Deane Show" and danced together. The more hair spray, the better. Hairspray encourages its audience to take the fight to integrate a teenage TV show seriously, but it does so through songs, dances, and costumes that celebrate and satirize the 60s. Deane hosted a morning show at WITH. In Little Rock, white teens went from protesting integration at Central High School to dancing in the afternoon on Steves Show. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (19242003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. But black kids in . Yeah it was Cosenel, says Joe. Soon after, he and his family moved to Memphis, Tenn. You are watching the "Buddy Deane Show." "The Buddy Deane Show" defined a new generation of rock & roll as well as dance on television in the late 1950s. If "The Buddy Deane Show" didn't exactly end happily (canceled in 1964, it never did integrate the dancers), Waters remains a fan. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (1924-2003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. "I told him I thought it was terrible," Melva Lee Scruggs said about the "Buddy Deane Show." Based loosely on the 1988 film by John Waters, Hairspray centres on Baltimore teen Tracy Turnblad (Carmel Rodrigues), who in 1962 wants nothing more than a chance to dance on the local pop music TV. She was the one of the biggies who refused to be on the Board (they had power; a liked because of it). I must have had ten different phone numbers, says Helen, and somehow it would get out. When the subject comes up today, most loyalists want to go off the record. http://pancocojams.blogspot.com/2016/03/how-madison-line-dance-got-its-name-and.html, http://pancocojams.blogspot.com/2016/03/al-brown-and-ray-bryant-madison-records.html, https://en.wikipedia.org/wiki/Buddy_Deane_Show, https://en.wikipedia.org/wiki/Hairspray_(2007_film), http://pancocojams.blogspot.com/2015/06/timeline-for-cultural-use-of-saying.html, https://www.washingtonpost.com/entertainment/tv/on-hairsprays-25th-anniversary-buddydeane-committee-looks-back/2013/01/17/a45a1cc2-5c23-11e2-88d0-c4cf65c3ad15_story.html, http://theurbandaily.com/2011/06/01/black-music-moment-96-short-lived-integration-of-the-buddy-deane-show/. Sure, as a teenager I was a guest on the show. From 1957 to 1963, only white teens were allowed to attend the weekday broadcasts of the Buddy Deane Show, with the exception of one Monday each month when black teenagers filled the studio (the . Sometimes youd wrap your hair at night. There are other socio-cultural comments in various YouTube comments threads about the Madison dance. Many parents and local officials were angry. Other vices were likewise eschewed. Nicknamed "Buddy" as a child, Deane . We faked a feud. It was broadcast for two hours a day, six days a week and featured local teenagers dancing to their favorite music played by live bands. We really sprayed it, remembers Mary Lou today from her home in Pennsylvania. I wanted to go, but my parents wouldnt let me. But by far the most popular hairdo queen on Buddy Deane was a 14-year-old Pimlico Junior High School student named Mary Lou Raines. Evanne and her brother run the John Brock Benson Dance Studios, in Pasadena, and have a line of dancers who appear at clubs all over the state. On the air before Dick Clark debuted, the show was a hit from the beginning, says Arlene today. It was similar to Philadelphia's American Bandstand. With the show beginning at 2:30 in some years, cutting out of school early was common. The buddy dean show debuted on Sep. 9. Some of the old Committee kept up with the times and made the transition with ease. See production, box office & company info. I was a square. Before long I started getting lots of fan mail: I think youre neat. It was very interesting to see my conversation quoted in this article. Many years later they married. Deane also presented British artist Helen Shapiro, who sang her Baltimore hit, "Tell Me What He Said," at about the time that she was touring England with The Beatles as one of her support acts. The musical is based on John Waters' 1988 campy movie of the same name. producers hope this story of interracial unity will be appealing to television audiences in 2016. . Do you miss show biz? I ask her. And the other ladies in Allentown blue-collar neighborhood in Baltimore were talking to her and saying, Yeah, what kind of movie is this? They thought she was a real woman that lived on the street, you know. All the choreography in the movie prior to this was segregated by race, and now its all together, which is a very, very subtle reference to the theme of this movie.. Oh, black teens could dancejust not with the white kids. Ninfa O. Barnard wrote this article for explorepinebluff.com. Waters took inspiration from the real-life Buddy Deane Show, a local dance party program that ran from 1957 to 1964 in the Maryland area. 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"If you first appeared on The Buddy Deane Show then you could not appear on The Dick Clark Show," Deane said. Why Europeans Dont Get Huge Medical Bills. This town just wasnt ready for that. There were threats and bomb scares; integrationists smuggled whites into the all-black shows to dance cheek to cheek on camera with blacks, and that was it. I was aggressive. Why? Id wonder. She wasnt even a fan of the show. Print Headline: Buddy Deane Show was huge hit for young viewers in the late 1950s, Copyright 2023, Northwest Arkansas Newspapers LLC. On the one hand, the storys feel-good conclusion implies that colorblindness is the silver bullet that ends racial discrimination, that good intentions and individual acts of bravery are enough to bring about harmony. The information used was obtained from WJZ. Buddy Deane was the host of a Baltimore dance show that ran on TV from 1957 to 1964 six days a week. That show featured local teens who danced to the. I appreciate the contribution that you and NOBLE BRUN, and other Black dancers on the Buddy Dean dance show made on that series. The Buddy Deane Show was a highly visible regional program that asserted a racially segregated public culture. In 1984, he sold the station to a local college but bought it back in 1996. At frantic meetings of the Committee, many said, My parents simply wont let me come if its integrated, and WJZ realized it just couldnt be done. Influencers: Profiles of a Partnership 2022, How to Pitch Stories and Articles to IndieWire, John Waters Shares His 10 Favorite Films of 2022, 'Peter Von Kant' Tops List, John Waters to Write and Direct 'Liarmouth' from His Own Novel, Quentin Tarantino's Favorite Movies: 50 Films the Director Wants You to See, Oscars 2023: Best Animated Feature Predictions. SOUL! and later on, growing up, it was a definite blow: reality. I still have a whole box of fan mail, says Evanne. An then there was teased hair, replacing the 50s drape with a Buddy Deane look that so pervaded Baltimore culture (especially in East and South Baltimore) that its effect is still seen in certain neighborhoods of this great Hairdo Capital of the World. He was 16 at the time of filming. He was one of the first disc jockeys in the area to regularly feature rock and roll. Museum Day; Art; Books; Design; Food; Music & Film; Video; Newsletter; Travel. "The Buddy Deane Show," which aired on WJZ-TV in Baltimore from 1957 until 1964. . Sign up for our Email Newsletters here. What: The Buddy Deane Show was a teen rock-and-roll dance television show that aired on WJZ-TV in Baltimore, Maryland from 1957 until 1964. It was the top-rated local TV show in Baltimore and, for several years, the highest rated local TV program in the country. Buddy noticed my eyes staring and said, Do the same eyes. And the camera got it. Kathy went even further. Although the Committee was a valuable promotional tool for WJZ at the time, and belonging was a full-time job, no one (except teen assistants) was paid a penny. Every week she had a different dothe Double Bubble, the Artichoke, the Airlifteach topped off by her special trademark, suggested by her mother, the bow. I wanted to dance., We had a saying: The show either makes you or breaks you,' says Kathy. That show featured local teens who danced to the hits of the era, although the entire cast was white except for one episode every other Friday for Black kids. . The Buddy Deane Show was taken off the air because home station WJZ-TV was unwilling to integrate black and white dancers. Integration ended The Buddy Deane Show. I focused on the 1957-1964 television series The Buddy Deane Show in part because I'm interested in documenting old school African American originated line dances, and the Buddy Deane Show's 1958 or 1959 clip of The Madison appears to be the earliest surviving film of that dance.I believe that The Buddy Deane Show is important in part because it documents aspects of Americana such as the way the teenagers (or at least White teenagers] in the late 1950s and early 1960s dressed, danced, interacted, and also documented (through retrospective interviews such as the one quoted in Excerpt #2 of this post) attitudes and values of that time. I was so embarrassed. And none are bitter. Once a Deaner, always a Deaner, as another so succinctly puts it. Yet Joe was a dropout when he went on the show and then, once famous, went back to finish. What: The Buddy Deane Show was a teen rock-and-roll dance television show that aired on WJZ-TV in Baltimore, Maryland from 1957 until 1964. Almost all dancers wore swim wear and beach attire, with music provided by WJZ-TV. All rights reserved. So there you have it. The "Corny Collins Show" in Hairspray is loosely based on the Baltimore teen dance program called the "Buddy Deane Show." One Baltimore woman fought to get black teens on the popular show back in . Winston "Buddy" Deane was a broadcaster for more than fifty years, beginning his career in Little Rock, Arkansas, then moving to the Memphis, Tennessee, market before moving onto Baltimore . The big garage-type door they remember would open, and theyd all pile in, past George and Mom, the Pinkerton guards who used to keep attendance, and crowd into Arlenes office to comb their hair, confide their problems, and touch up their make-up. "Hairspray" will continue at East Ridge High School through April 23. You Cant Stop the Beat, for example, is an upbeat dance number that resolves the issue of segregation on the Corny Collins Show. Thank you for including me as one of the Buddy Dean family. (Special to The Commercial/OzNet.com/ExplorePineBluff.com). The television news reporter covering the Corny Collins Show in the film sums up the climactic scene: Youre seeing history being made today. Bill Haley and the Comets did their premier perf of "Rock Around the Clock" on Deane's show, and Deane was named the No. It was similar to Philadelphia's American Bandstand. Ric Ocasek as the Beatnik cat; Pia Zadora as the Beatnik chick; Production. Counter to host Dick Clark's claims that he integrated American Bandstand, this book reveals how the first national television program directed at teens discriminated against black youth during its early years . [citation needed] With an ear for music seasoned by many more years as a disc jockey than Clark, Deane also brought to his audience a wider array of white musical acts than were seen on American Bandstand. When: Summer 1963. . Plot. The night was full of delightful anecdotes, including these ten you may not have heard before. Could it be? I even named some of the characters in my films after them. That's what really happened, and the show shut down." 3. In 1942, Deane enrolled at Cornell University in New York. This man approached me, telegrammed me, showed up at the show. From then on, all bare shoulders were covered with a piece of net. Hopefully, some footage of you and the other Black dancers will be found and published online.Best wishes to you and yes, GOD HELP US! We got more mail: Oh, please dont break up! Somebody even sent us a miniature pair of boxing gloves. The show featured only white kids dancing, so Scruggs wrote him a letter in the fall of 1958 to . ' And Evanne still shudders as she recalls, Once I was in the cafeteria. Once a month the show was all black. The show began in September of 1957 when an Arkansan named Winston Joe "Buddy" Deane was approached by Joel Chaseman, the head of programming at WJZ-TV. I had to get up there on time. [citation needed]. It was a fluke. The movie was eventually turned into a musical by the same name. I was with this guy named Jeff. Its host was Winston "Buddy" Deane (1924-2003), who died in Pine Bluff, Arkansas after . I graduated from an HBCU, lived through racism, marched on Washington with Martin Luther King, and was active in fighting injustices in Baltimore County at the height of the Civil Rights Movement. Buddy himself, the high priest, returned for the event. Linda reverently describes her Committee membership as the best experience I ever had in my life. They later became members of the Permanent Committee, the hall of fame that could come back to dance even after retiring. No matter how progressive we become, there will always be those who will still hang on to the tradition of hate. 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